The Fall’ (2011): The foggy darkness of “The Fall” is a vintage remnant of the Weeknd’s bleakest.
Tears in the Rain’ (2013): The Weeknd’s R&B plot twist is that his falsetto croon.
Coming Down’ (2011): Emerging from the dusted carnage of “The Party & the Afterparty.
Moth to a Flame,’ Swedish House Mafia and the Weeknd (2022): Moth to a Flame” is a petty anthem, masking the bitterness with synth.