The Invisible Man: Elisabeth Moss and film-maker Leigh Whannell raise the bar on the 1897 H.G. Wells classic by making the smart and timely decision to shift focus from.
Beastie Boys Story: It only sounds simple to film Michael “Mike D” Diamond and Adam “Ad-Rock” Horovitz onstage at Brooklyn’s Kings Theatre in 2019, using live talk.
First Cow: This new masterwork from director Kelly Reichardt (Old Joy, Meek’s Cutoff), set in Oregon during the 1820s Gold Rush.
Never Rarely Sometimes Always: There were bigger, showier movies in the first half of 2020, but none took a more direct path to the heart than Eliza Hittman’s.